September 30, 2014
Gerhard Richter. Constellation, 1969. Oil on canvas, 92 cm x 92 cm. Catalogue Raisonné 255-4

Gerhard Richter. Constellation, 1969. Oil on canvas, 92 cm x 92 cm. Catalogue Raisonné 255-4

(Source: gerhard-richter.com)

September 30, 2014

chaque image est un débris de temps
elle ne garde que ce qui ne passe plus
une forme de sel au fond du regard
qui ne sait que nommer arrosoir
buisson montagne nuages
pour le reste on ne voit rien mais tout est là

- Jacques Ancet. “Comme si de rien” (2006-2007), extrait

September 30, 2014
Guillaume Constantin.  The future of what, 2011, cuivre émaillé, 55 x 133 x 0,3 cm. Photographie Aurélien Mole

Guillaume Constantin.  The future of what, 2011, cuivre émaillé, 55 x 133 x 0,3 cm. Photographie Aurélien Mole

(Source: portraits-lagalerie.fr)

September 30, 2014
Willie Doherty. The Bridge, 1992,  2 photographs, black and white, on paper mounted onto aluminium panel, 1220 x 1830 mm. P78746. Tate Collection, London © Willie Doherty

Willie Doherty. The Bridge, 1992,  2 photographs, black and white, on paper mounted onto aluminium panel, 1220 x 1830 mm. P78746. Tate Collection, London © Willie Doherty

(Source: tate.org.uk)

September 24, 2014
Luc Tuymans. Chalk, 2000, Oil on canvas. 28 1/2 x 24 1/4 in. (72,4 x 61,6 cm). Wexner Center for the Arts. Private collection, promised gift to the San Francisco Museum of Modern Art.  © Luc Tuymans . Photo: Ben Blackwell 

Luc Tuymans. Chalk, 2000, Oil on canvas. 28 1/2 x 24 1/4 in. (72,4 x 61,6 cm). Wexner Center for the Arts. Private collection, promised gift to the San Francisco Museum of Modern Art.  © Luc Tuymans . Photo: Ben Blackwell 

(Source: artnet.com)

September 24, 2014
"

The organic consolation, the complete
Society of the spirit when it is
Alone, the half-arc hanging in mid-air

Composed, appropriate to the incomplete,
Supported by a half-arc in mid-earth.
Millions of instances of which I am one.

"

Wallace Stevens, from section V of “Repetitions of a Young Captain,” The Collected Poems of Wallace Stevens (Vintage Books, 1990)

(Source: apoetreflects)

September 24, 2014
Frank Horvat. “La Véronique”, sink,  2006 06 04, Cotignac, France

Frank Horvat. “La Véronique”, sink,  2006 06 04, Cotignac, France

(Source: horvatland.com)

September 24, 2014
Elizabeth Murray . Yikes, January-February 1982, Oil on canvas, two panels, 9’ 7” x 9’ 5 1/2” (292,1 x 288,3 cm). Gift of Douglas S. Cramer Foundation. 352.1997.a-b. The Museum of Modern Art, New York © 2014 Estate of Elizabeth Murray / Artists Rights Society (ARS), New York

Elizabeth Murray . Yikes, January-February 1982, Oil on canvas, two panels, 9’ 7” x 9’ 5 1/2” (292,1 x 288,3 cm). Gift of Douglas S. Cramer Foundation. 352.1997.a-b. The Museum of Modern Art, New York © 2014 Estate of Elizabeth Murray / Artists Rights Society (ARS), New York

(Source: moma.org)

3:42pm  |   URL: http://tmblr.co/ZvUyMu1RaWKwa
Filed under: shattering 
September 21, 2014

 

entre deux qui n’est ni du je ni du tu
simple ouverture offerte à quelque

rumeur d’être mais existe-t-il
un autre mouvement une autre vérité
infime assez pour construire avec
notre haleine cette chose d’âme
et de présent
sans quoi la vie est pure perte

[…]

- Bernard Noël, Lettres verticales, 1973-2000, Éditions Unes, 2000, p. 165, extract

à Nuno Judice
   -lettre verticale XXIX (33 ex. signés, gravure de Guy Malabry), Hôtel Continental, 1999. 

September 21, 2014
Milton Avery. The White Wave, 1956. Oil on canvas, 30 x 42 in. (76 x 107 cm). 73067. Gift of Helen Hooker Roelofs in memory of her father, Elon Huntington Hooker, Class of 1896.  The Herbert F. Johnson Museum , Cornell University, Ithaca © 2011 Milton Avery Trust / Artists Rights Society (ARS), New York

Milton Avery. The White Wave, 1956. Oil on canvas, 30 x 42 in. (76 x 107 cm). 73067. Gift of Helen Hooker Roelofs in memory of her father, Elon Huntington Hooker, Class of 1896.  The Herbert F. Johnson Museum , Cornell University, Ithaca © 2011 Milton Avery Trust / Artists Rights Society (ARS), New York

(Source: museum.cornell.edu)

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