October 21, 2014
Imogen Cunningham. Magnolia Blossom, 1925, photography, dimensions not given  © The Imogen Cunningham Trust, 2011

Imogen Cunningham. Magnolia Blossom, 1925, photography, dimensions not given  © The Imogen Cunningham Trust, 2011

(Source: imogencunningham.com)

October 21, 2014

fluttering-slips:

[Because desire won’t shrug off…]


Because desire won’t shrug off,
and the heart begins to eat its stores
its substance—slowly, at first, and
sparingly—
                        (but nothing’s left to lose so it is downed)

            We have a thing here called hunger
A feeling and an ache, want of want.

You could try it sometime if you like.

Sun drinks down its own day.
Dusk takes us to task.
Hath drunk so deep

You could be forgiven for not knowing.
You could be forgiven for a lot of things.

Hannah Sanghee Park

October 21, 2014
Tomás Sánchez. La lluvia (The rain) (no. 44), 1998, red conte on black paper, 11 3/4 x 16 1/2 inches © 2014 Marlborough Gallery

Tomás Sánchez. La lluvia (The rain) (no. 44), 1998, red conte on black paper, 11 3/4 x 16 1/2 inches © 2014 Marlborough Gallery

(Source: marlboroughgallery.com)

October 9, 2014
les-sources-du-nil:

Jeffrey Becom From 'Full Moon' series

les-sources-du-nil:

Jeffrey Becom
From 'Full Moon' series

(Source: 1stdibs.com)

October 9, 2014
centuriespast:

MINIATURIST, ItalianDante: Divina Commedia1380-1400Manuscript (It. IX. 276), 430 x 280 mm (folio size)Biblioteca Nazionale Marciana, Venice

centuriespast:

MINIATURIST, Italian
Dante: Divina Commedia
1380-1400
Manuscript (It. IX. 276), 430 x 280 mm (folio size)
Biblioteca Nazionale Marciana, Venice

October 9, 2014
"Nous demandons à l’imprévisible de décevoir l’attendu."

René Char (via regardintemporel)

October 9, 2014
Maria Helena Andrés. Fantasia de Ritmos ( Fantasy of Rhythms), 1958, oil on canvas  50 x 69 cm.  Adolpho Lerner Collection. Museum of Fine Arts, Houston. In Building on a Construct. The Adolpho Leirner Collection of Brazilian Constructive Art at the Museum of Fine Arts, Houston. Edited by Mari Carmen Ramírez and Héctor Olea. New Haven, Yale University Press: 2010 © Maria Helena Andrés Photo by José Carlos Motta Júnior 

Maria Helena Andrés. Fantasia de Ritmos ( Fantasy of Rhythms), 1958, oil on canvas  50 x 69 cm.  Adolpho Lerner Collection. Museum of Fine Arts, Houston. In Building on a Construct. The Adolpho Leirner Collection of Brazilian Constructive Art at the Museum of Fine Arts, Houston. Edited by Mari Carmen Ramírez and Héctor Olea. New Haven, Yale University Press: 2010 © Maria Helena Andrés Photo by José Carlos Motta Júnior 

October 7, 2014

Nomade est la lumière. Celle qu’on embrassa devient celle qui fut embrassée, et se perd.

- Philippe Jaccottet. “Au petit jour”, extrait . In Poésie, 1946-1967. Paris: Gallimard, 1971. p. 34

October 7, 2014
Edward J. Steichen. Storm in the Garden of the Gods—Colorado, 1906, print 1909. Direct carbon print, 38,9 x 46,5 cm (15 5/16 x 18 5/16 in.) Alfred Stieglitz Collection, 1933. 33.43.25.  The Metropolitan Museum of Art, New York

Edward J. Steichen. Storm in the Garden of the Gods—Colorado, 1906, print 1909. Direct carbon print, 38,9 x 46,5 cm (15 5/16 x 18 5/16 in.) Alfred Stieglitz Collection, 1933. 33.43.25.  The Metropolitan Museum of Art, New York

(Source: metmuseum.org)

October 2, 2014
Tracey Emin.Those who Suffer Love, 2009

Tracey Emin.Those who Suffer Love, 2009

(Source: traceyeminstudio.com)

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