July 24, 2014
Tacita Dean. Fatigues, 2012. Detail of blackboard drawing # 2. Photo Nils Klinger. Courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris

Tacita Dean. Fatigues, 2012. Detail of blackboard drawing # 2. Photo Nils Klinger. Courtesy the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris

(Source: fondazioneratti.org)

July 24, 2014
Ayreen Anastas and Rene Gabri. ‘Crisis of capitalism 1’, 2009, technique and dimensions not given

Ayreen Anastas and Rene Gabri. ‘Crisis of capitalism 1’, 2009, technique and dimensions not given

(Source: tanyaleighton.com)

July 24, 2014
Maria Bofill. Labyrinthe cylindrique, 20e. siècle, porcelaine. Cité de la céramique, Sèvres. MNC27413. Photo (C) RMN-Grand Palais (Sèvres, Cité de la céramique) / Martine Beck-Coppola. (C) Droits réservés

Maria Bofill. Labyrinthe cylindrique, 20e. siècle, porcelaine. Cité de la céramique, Sèvres. MNC27413. Photo (C) RMN-Grand Palais (Sèvres, Cité de la céramique) / Martine Beck-Coppola. (C) Droits réservés

(Source: photo.rmn.fr)

July 23, 2014

The clock-towers tell the gardens day and night
How many errors Time has patience for,
How wrong they are in being always right.

Wystan Hugh Auden, “Our bias”, extract from The Cambridge Companion to W.H. Auden.  Edited by Stan Smith. Cambridge University Press: Cambridge, 2005, p. 217

 

July 23, 2014
William Turnbull. No. 1 1959, 1958–9. Oil paint on canvas, 1778 x 1778 mm. T01524. Purchased 1972. Tate Collection, London. © William Turnbull

William Turnbull. No. 1 1959, 1958–9. Oil paint on canvas, 1778 x 1778 mm. T01524. Purchased 1972. Tate Collection, London. © William Turnbull

(Source: tate.org.uk)

July 23, 2014
Elke Andreas Boon. Je regrette, 2008, photography, dimensions not given

Elke Andreas Boon. Je regrette, 2008, photography, dimensions not given

(Source: bamart.be)

July 23, 2014
Joan Miró. Peinture (Painting), 1933. Oil on canvas mounted on board. 51 15/16 x 77 5/8 “. University purchase, Kende Sale Fund, 1945. WU 3768. The Mildred Lane Kemper Art Museum, St. Louis. Artist Rights Society, Inc. (ARS)

Joan Miró. Peinture (Painting), 1933. Oil on canvas mounted on board. 51 15/16 x 77 5/8 “. University purchase, Kende Sale Fund, 1945. WU 3768. The Mildred Lane Kemper Art Museum, St. Louis. Artist Rights Society, Inc. (ARS)

(Source: kemperartmuseum.wustl.edu)

July 14, 2014

Si seulement les rêves étaient sous-titrés.

- Mounir Fatmi, Coma Manifesto

12:20pm  |   URL: http://tmblr.co/ZvUyMu1LSkJ6a
Filed under: miseengarde 
July 14, 2014
Roman Signer. Wasserstiefel, 1986. Weissbad, Kanton Appenzell

Roman Signer. Wasserstiefel, 1986. Weissbad, Kanton Appenzell

(Source: romansigner.ch)

July 12, 2014
"Oui, il y a encore des hommes qui connaissent la distance d’un sentiment à un autre, qui savent créer des étages et des haltes à leurs désirs, qui savent s’éloigner de leurs désirs et de leur âme, pour y rentrer ensuite faussement en vainqueurs."

— Antonin Artaud, L’Ombilic des Limbes (via abridurif)

(via a4rizm)

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